MODEL
«Modelling has helped me to know myself better, to learn how to live in solitude, to adapt to different settings and cultures, to respect diversity and to appreciate creativity and art. But modelling also made me grow up very quickly and detached me from the everyday experiences of youth. I had to learn how to live, over-exposed to an aesthetic analysis of my appearance. Fortunately, over time, and with the unconditional support of my family, I learned to gain perspective and to take myself less seriously.
Beauty is not a synonym for youth. It is imperfection, it is a smile, it is harmony, it is freedom, it is feeling comfortable in your own skin, and it is authenticity. Understanding this has taught me to take off my high heels and come back down to earth».
V.
Vanesa Lorenzo has worked with some of the most prestigious photographers in the fashion industry including Steven Meisel, Gilles Bensimon, Patrick Demarchelier, Richard Phibbs, Paola Kudaki, Thomas Schenk, Guy Aroch, Walter Chin, Michael Thompson, Pamela Hanson, Ruven Afanador, Craig McDean, Sante D’Orazio, and the late legendary Helmut Newton. She has graced the inside pages and covers of American, Italian and Spanish Vogue; Spanish, British, French and American Elle; Spanish Harper’s Bazaar; Spanish and American Marie Claire; Spanish and American Glamour; Spanish GQ, and Sports Illustrated Swimsuit Issue, among many others.
In the world of advertising, Vanesa has been the face and appeared in campaigns for brands like Giorgio Armani, Pepe Jeans, Escada, Christian Dior, Yves Saint Laurent, Patek Philippe, Andres Sarda, Roccobarocco, Victoria’s Secret, Ralph Lauren, GAP, American Eagle, Neutrogena, Pantene, Garnier and Nautica, among many others.
Exploring her facet as an actress, Vanesa Lorenzo has starred in the Catalan film Entreacto, in the critically acclaimed Italian film Fireworks, the short-film The Fairy and the Mole, which won honors at the Berlin Film Festival, and the short-film El ascensor de Romeo.
MODEL
«Modelling has helped me to know myself better, to learn how to live in solitude, to adapt to different settings and cultures, to respect diversity and to appreciate creativity and art. But modelling also made me grow up very quickly and detached me from the everyday experiences of youth. I had to learn how to live, over-exposed to an aesthetic analysis of my appearance. Fortunately, over time, and with the unconditional support of my family, I learned to gain perspective and to take myself less seriously.
Beauty is not a synonym for youth. It is imperfection, it is a smile, it is harmony, it is freedom, it is feeling comfortable in your own skin, and it is authenticity. Understanding this has taught me to take off my high heels and come back down to earth».
V.
Vanesa Lorenzo has worked with some of the most prestigious photographers in the fashion industry including Steven Meisel, Gilles Bensimon, Patrick Demarchelier, Richard Phibbs, Paola Kudaki, Thomas Schenk, Guy Aroch, Walter Chin, Michael Thompson, Pamela Hanson, Ruven Afanador, Craig McDean, Sante D’Orazio, and the late legendary Helmut Newton. She has graced the inside pages and covers of American, Italian and Spanish Vogue; Spanish, British, French and American Elle; Spanish Harper’s Bazaar; Spanish and American Marie Claire; Spanish and American Glamour; Spanish GQ, and Sports Illustrated Swimsuit Issue, among many others.
In the world of advertising, Vanesa has been the face and appeared in campaigns for brands like Giorgio Armani, Pepe Jeans, Escada, Christian Dior, Yves Saint Laurent, Patek Philippe, Andres Sarda, Roccobarocco, Victoria’s Secret, Ralph Lauren, GAP, American Eagle, Neutrogena, Pantene, Garnier and Nautica, among many others.
Exploring her facet as an actress, Vanesa Lorenzo has starred in the Catalan film Entreacto, in the critically acclaimed Italian film Fireworks, the short-film The Fairy and the Mole, which won honors at the Berlin Film Festival, and the short-film El ascensor de Romeo.
